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It was paired with and Surf Stomp (1963), another featurette shot by his Bronte mate, Dennis Milne, and they began screening the double-bill in surf clubs and halls around Sydney, before hitting the road and screening it along the coast from Bells to Noosa.

With early footage of Farrelly at North Narrabeen, Scott Dillon in a three-metre surf at Bare Island in Botany Bay, Mick Dooley at Currumbin, Young and Sumpter when barely teenagers, and a host of suburban surfers, the films recorded the pioneering surfaris organized by the first wave of malibu boardriders, and proved a hit with audiences keen to see Australian surfing.

But it was not always plain sailing, with 300 teenagers turned away from Hurstville Town Hall when a screening was cancelled because the venue wasn't licensed to show movies, and screenings in Bronte and Cronulla threatened by rockers who wanted to 'put on a blue' with the local surfies.

The main problems, however, were keeping the soundtrack in synchronization with the film, and projecting a picture big enough for everyone to see, which discouraged others from making 8rnm surfmovies.

Above text and Image right Dennis Elton and Bolex camera, circa 1963. , from.. Albie Thoms: Surfmovies The Blue Group, PO Box 321,  Noosa Heads Queensland 4567 Published 2000. Page 86

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Scott Dillon, "Babba" and balsa wood Elephant Guns, Long Reef.
circa 1963
Photograph : (Jack Eden?): Scott Dillon Collection 

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Scott Dillon, First Wave, Bare Island Bombora, circa 1962.
Photograph : Jack Eden
Margan and Finney: Pictorial History, page 269

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